Personnaliser : Interactive glitter sticker with peel animation
Cette vidéo a été obtenue par @ann_nnng avec Claude Opus 5.5. Gardez la même mécanique de mise en scène, mais avec votre sujet, votre police, vos couleurs et votre rythme. Les champs vides reprennent les valeurs par défaut.
Prompt d’origine · @ann_nnng
BRIEF This is a split-screen showreel comparing two AI-generated interactive glitter sticker effects on a white interface. It’s for designers and developers evaluating generative AI’s ability to simulate tactile, holographic UI elements. The feeling is playful, futuristic, and slightly chaotic — like a digital sticker collection that reacts to cursor movement with shimmering reflections and peel animations. FORMAT 1080x1440, 13 seconds, 30fps, other LOOK Background: solid white with no gradients or textures. Palette: the stickers use vibrant, multi-hued glitter effects with dominant hex values #FFD166 (yellow), #FF6B6B (pink), #4ECDC4 (cyan), #45B7D1 (blue), and #96CEB4 (green) for the shimmering highlights. Lighting: soft, directional light from the top-left casting subtle shadows beneath each sticker. Texture: glossy, holographic surface with micro-reflections that shift with cursor interaction. Depth: stickers are slightly elevated from the plane with soft drop shadows to imply 3D space. TYPE Font styles: bold, rounded sans-serif with variable stroke weights. Sizes: “You’re ABSOLUTELY RIGHT” is 120pt, “TypingMind ENERGY” is 80pt, “TypingMind MOTION” is 100pt, “AGI” is 140pt. Text animates with a slight bounce on hover, then settles. Quote on-screen words exactly when legible: “You’re ABSOLUTELY RIGHT” appears at 0.0s, “TypingMind ENERGY” at 3.8s, “TypingMind MOTION” at 8.9s, “AGI” at 11.4s. BEATS 0.0-1.3s: split-screen shows two identical “You’re ABSOLUTELY RIGHT” stickers, one labeled “Claude Opus 5.5” and the other “GPT 6 Sol,” both static. 1.3-3.8s: cursor hovers over the top sticker (Claude Opus 5.5), triggering shimmering light reflections across its surface; the bottom sticker (GPT 6 Sol) remains static. 3.8-6.3s: cursor moves to the bottom sticker (GPT 6 Sol) and hovers, triggering shimmering reflections; the top sticker (Claude Opus 5.5) begins to peel up from the bottom-right corner. 6.3-8.9s: cursor hovers over a Red Bull-style can sticker on the top (Claude Opus 5.5), triggering shimmering reflections; the bottom (GPT 6 Sol) shows a similar can with a different sticker design. 8.9-11.4s: cursor hovers over a “TypingMind MOTION” sticker on the top (Claude Opus 5.5), triggering shimmering reflections; the bottom (GPT 6 Sol) shows a similar sticker with a different design. 11.4-13.0s: cursor hovers over an “AGI” sticker on the top (Claude Opus 5.5), triggering shimmering reflections; the bottom (GPT 6 Sol) shows a similar sticker with a different design. MOTION Easing: all animations use ease-in-out for smooth transitions. Camera moves: none — the view is fixed. Transitions between beats: instant cuts at each beat mark. All animations are driven by time to ensure deterministic results. Transform and opacity are animated to simulate cursor interaction. Seeded randomness is applied to the shimmering reflections to avoid repetition. Render to video at the end and check frames at 10%, 50%, and 90% to ensure consistency. OTHER RULES Drive every animation from time so the result is deterministic. Animate transform and opacity. Set the exact size, duration, and frame rate. Apply seeded randomness to shimmering reflections. Render to video at the end and check frames at 10%, 50%, and 90%. No additional effects or transitions beyond those specified. SELF-CHECK Render the video. Check frames at 10%, 50%, and 90% to ensure the stickers are correctly positioned, the shimmering reflections are consistent, and the text is legible at each beat. Fix any clipped or overlapping text. Then finish the video.
Concept. Une seule idée qui fait le lien entre les plans. Sans elle, Claude enchaîne des effets sans fil conducteur.
Tempo. Le BPM sert de grille : coupes et entrées tombent sur le temps. Entre 100 et 128, ça colle à la plupart des musiques.
Durée. 15 à 30 secondes donnent le meilleur résultat. Au-delà, Claude ajoute des scènes plutôt que de soigner chacune.
